Stand-Up Comedian

Stand-Up Comedian

Michael Kosta

Los Angeles, CA

Male, 30s

I'm Michael Kosta, stand-up comedian (yes, that's what I write on my tax returns). I've performed on The Tonight Show with Jay Leno, Conan, and Comedy Central, and I tour all over North America and Australia. Ask me anything about life as a stand-up.

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76 Questions

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Last Answer on June 11, 2013

Best Rated

Which comedian or comedians made you want to get on stage?

Asked by D-Bock over 12 years ago

My mom took me to see Dennis Miller when I was a kid. I loved him. I still only understand 25% of his vocab but his wit, delivery and arrogance always made me laugh. How cool is my mom for taking her 11 year old son to see him? Other comics that I loved and continue to enjoy their work: Brian Regan (a comics favorite), Don Rickles, Gary Shandling (his first Tonight Show still makes me laugh), Steve Martin, Bill Cosby (seen him twice and loved it). Recently I've been getting more into Bill Hicks as well (there is a great documentary out on him right now). Unlike most of my comic friends, George Carlin never really fired me up that much. Maybe I'm a loser, I don't know.

Why do stand-up comics complain so much about touring? I mean, isn't that pretty much the job description from the beginning?

Asked by bl0wt0rched about 12 years ago

Yeah I guess you are right. We do complain a lot about it. Do you ever complain about anything at your job? I can safely say that I have never once complained about being booked or having a booker or comedy club hire me. What I do complain about is the shitty hotel they put me, delayed flights causing you to miss the first show, 5am radio spots, hacky comedians and trying to be vegetarian in Peoria, IL. By far the best part of the job is the 45-50 minutes you are on stage performing. Thats the shit. Thats why we got into it. Like every job, there are other parts that you didn't realize were going to be a part of it. I certainly don't get treated like a A lister when I am on the road but I've experienced it getting better and better each year and I will say that as you become bigger and funnier, the traveling and life on the road gets easier. OK heading to Applebees now.

Have you ever turned down a high-paying tour slot because the other comics were too hacky?

Asked by ginny over 12 years ago

Hell no! As long as I'm not hacky I'm very comfortable performing for high money :) One thing I do like to check a club or theaters website to see what other comics they are booking. If there is a lot of crap on there, then I don't get as excited to perform or I ask for more $. The clubs that book quality acts, as the ones that are usually the favorites of the comics and vice versa.

If the real comedic talent is in the delivery of a joke, why is it looked down upon when a comic hires writers to write his material?

Asked by smobro over 12 years ago

Hmm I'm not sure. I don't think I look down on comics that do that. I choose to write all my own material but if I were under a lot of pressure to deliver a new hour each year I would certainly hire some poeple to help. I think what you have to realize is that writers HELP but they don't do the work for you. They submit ideas and concepts and help you work it out but ultimately it needs to be delivered the right way and in your own voice. I'll answer more after I hire some writers :)

When comics say they are on the road "all the time" is that literal? Or is it every weekend? How often are comics home with their families?

Asked by Trob about 12 years ago

For me, it is just weekends.  But I know some comics that will go on a 6-8 week tour where they are gone every single day.  The last couple of years I have gone to Australia for 4 weeks in a row.  It can get long, very long.  We are not with our bandmates or tour manager.  We are by ourselves.  And allthough that is nice for some of the time, it definitely can get lonely and boring.  Hence why you see a lot of comics rely on drinking and drugs to help pass the time.

Ultimately a comic is in charge or how often he/she gets booked.  My agent sends me the gigs and I can decide if I want them or not.  That being said, if I keep saying no, my agent may stop working for me.  They get paid, when I get paid.

In general, clubs work anywhere from Fri-Sat to Tues-Sunday.  The rest of the time you could be home with your family, minus the evenings when you would probably do some spots in your town.

This March I was out of town for 6 days.  In April, I will be out of town for 11 days.  Not bad really. 

When I graduate high school, i am planning on trying to do shows at colleges. Is trying to get into the college circuit right away a good idea? If not, what should the alternative be?

Asked by HardlyOffensive almost 12 years ago

You just need stage time anywhere.  Clubs, bars, colleges, bridal showers, etc.  College circuit can be good but don't put too many limits on where you get stage time.  If you are brand new, which it sounds like you are, just go up go up go up, over and over again.  Different audiences, different ages, different environments.

I've been a musician since birth and am branching into acting. I know the market is saturated though, so I'm also looking at entrepreneurship. I know that you need to work hard. How did you know to choose comedy? Were the odds against you?

Asked by Hunter over 12 years ago

Your going from music to acting? WOw almost as risky as going from professional tennis to stand up comedy! I hate to sound negative but if you are "deciding" if you should do comedy or not, it probably isn't for you. Go with what is burried deep in your heart (cue soft music). Think back to your kindergarden class when the teacher asked you what you wanted to be when you grew up. I remember I said "Pro athlete or comedian". The odds are always against you but if you are really doing what you want to do, and what you are made to do, it doesn't matter if you make it big, little, rich or poor. Hopefully that helps but I guess it doesnt ;(